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Fantomas vs. Scotland Yard

That a blue-headed super criminal piloting a rocket launched from the tower of a gothic castle is something that cannot be presented without tongue in cheek is an attitude not exclusive to the mid-1960s, although it is the most inevitable there. That said, we have to take what we can get. True, Fantomas vs. Scotland Yard, the final in French director Andre Hunebelle’s trilogy of mid-century Fantomas films, is also the silliest, yet it also represents a return of sorts to Fantomas’ roots.

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