Neil Jordan’s Byzantium (based on a script by Moira Buffini that doesn’t feel stagy at all despite being based on her stage play) is the kind of film that really needs quite a different writer than I am to be properly appreciated. A shot-by-shot analysis combined with a deep thematic exploration seems rather appropriate, but that’s neither a thing I do, nor a thing I’m particularly good at, nor a thing I am even usually interested in.

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